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Final Round
2022
Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.

Krim Belkacem
2014
This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

Serkadji
1982
In 1982, Hadj Rahim directed "Serkadji", a fiction film about the men's quarters of the Barberousse military prison in Algiers, where hundreds of FLN fighters were incarcerated and executed during the war of independence. Algeria between 1954 and 1962.

The Cork
1980
On his return to Algeria, Belkacem Hadjadj, a young graduate of INSAS in Brussels, joined Algerian television and signed "Le Bouchon", his first feature in the register of an Italian comedy, around the misadventures of a tenant experiencing a water leak.

The Charcoal Maker
1973
Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Machaho
1995
In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.

Deux Femmes
1992
An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.

El Manara
2004
Three young friends—a girl (Asma) and two boys (Fawzi and Ramdane)—bound by a loving friendship, lead a carefree life. The riots of October 1988, the repression, the democratic explosion, and the Islamist drift that followed turn their lives upside down. Fawzi, a journalist involved in the independent press movement, and Ramdane, a doctor sensitive to the concerns of ordinary people, drift apart, separate, and find themselves caught up in a confrontation that is beyond their control. Asma tries in vain to prevent the trio from breaking up... But none of the three emerges unscathed...

The Forgotten Hill
1996
At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa. While waiting to be drafted into the French Army they have time to woo. Mokrane falls for beautiful Aazi and soon marries her only to find out that she can bear no child. Menach, on his part, is stongly attracted to Davda, but the latter is already married to a rich merchant...Happiness does not seem to be in store for the two former students...

The Zerda or the Songs of Forgetting
1983
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

To Be Twenty in the Aures
1972
A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day.

The Hill
1965
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

Dark Night, October 17, 1961
2005
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Khouth Ma Aâtak Allah (عرس الدايم, خود ما اعطاك الله)
1981

Dawn of the Damned
1965
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Lion of the Desert
1981
Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

Rosaline
2022
Left heartbroken after Romeo begins to pursue her cousin Juliet, Rosaline schemes to foil the famous romance and win back her guy in this comedic twist of Shakespeare's Romeo and Juliet.

You Will Die at Twenty
2020
Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
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