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Movies Like Salainen perintömääräys
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A Girl of the Limberlost
1924
From Wikipedia, the free encyclopedia. A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.

Metropolis
1927
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Bookkeeper Kremke
1930
In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

One-Eyed Likho
1916
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.

Limite
1931
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Under the Lantern
1928
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
Fickle Women
1920

Incest
1929
Martin Hollmann, a young gardener meets his significantly older wife's daughter from her first marriage. Liesbeth Kröger is from his generation and they both get along well straight away. Shortly after his wife's death, Martin brings Liesbeth into his house as a housekeeper, and they both fall in love. The couple live together and soon decide to get married when Liesbeth becomes pregnant by Martin. But now the tragedy begins, because when registering at the registry office, Martin and Liesbeth, in the form of a strict bailiff, are officially declared that they have committed incest in accordance with Section 173 of the Criminal Code.

Love's Devotee
1914
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.

On the Stroke of Three
1924
Lafayette Jordan (Davis), financier, plans to inundate Caribou Canyon and turn it into a reservoir, but the villagers will not sell him their land. Among the resentful villagers is Judson Forrest (Harlan), who wants to be an inventor. Mary Jordan (Bellamy), daughter of the financier, is hurt and spends a night at his home. Learning of his attitude toward her father, she poses as a domestic at the Jordan home. Later, in New York, Judson looks her up. He is trying to sell his invention and, to get funds, he mortgages his home. The village banker, in league with Jordan, sells the financier the mortgage, and a foreclosure threatens when Jordan's business agent Henry Mogridge (Miljan) double-crosses Judson. The youth thinks Mary working against him. Friends come to Judson's aid and he pays off the mortgage in the nick of time. He learns that Jordan knew nothing of the methods employed by his agent and that Mary loves him.

Three Hours
1927
Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.

Plunder Road
1957
A spectacular heist starts to unravel as the crooks take it on the lam.

The Damned Don't Cry
1950
Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.

Where the Red Fern Grows
1974
Billy Coleman works hard and saves his earnings for two years to achieve his dream of buying two red-bone coonhound pups. He develops a new trust in life as he faces overwhelming challenges in adventure and tragedy roaming the river bottoms of Cherokee country with his dogs, Old Dan and Little Ann.

The Assault
2014
After a cheerleader is sexually assaulted by the high school football team, she must overcome her shame and use the evidence gathered from the subsequent social media firestorm to piece together the night that she can't remember in her fight for justice. Based on the true story of the Steubenville, Ohio rape case.

The Interview
1998
A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted?

The Unholy Three
1925
Three sideshow performers form a conspiracy known as "The Unholy Three" - a ventriloquist, midget, and strongman working together to commit a series of robberies.

Joyless Street
1925
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
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