Movies Like The Taint

Sklaven fremden Willens

1920

When doctors fail to cure the young and beautiful Claire Raven, who for inexplicable reasons seems to have fallen under a spell, Professor Mors, an expert in the field of hypnosis, is called in to help.

A Girl of the Limberlost

1924

From Wikipedia, the free encyclopedia. A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.

Life in Death

1914

A doctor kills and embalms a woman in order to preserve her beauty.

At Midnight in the Graveyard

1910

A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.

Tarnish

1924

The Irony of Fate

1912

Virginia Jameson, a girl of lovely disposition, is wooed by a man much older than herself whom she very much dislikes, but who stands very high in the favor of her parents. She might have married another man had not fate decreed otherwise. She meets and accidentally escapes the man she could have loved and would have married; she stooped to tie her shoe-strings, diverting her attention from him. Had their eyes met, both their lives would have been different. Leroy Farley, the man favored by her parents, prevails and she marries him. Her life is unhappy, notwithstanding his great riches and social prominence.

The Riddle: Woman

1920

Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.

The Browning Version

1951

Andrew Crocker-Harris has been forced from his position as the classics master at an English public school due to poor health. As he winds up his final term, he discovers not only that his wife, Millie, has been unfaithful to him with one of his fellow schoolmasters, but that the school's students and faculty have long disdained him. However, an unexpected act of kindness causes Crocker-Harris to re-evaluate his life's work.

The Face on the Barroom Floor

1923

As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.

Little Lord Fauntleroy

1980

Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.

True Grit

1969

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

Imagine

2012

A blind teacher breaks the rules to help a female student rediscover the pleasures of life.

Anne of Green Gables

2016

A retelling of L.M. Montgomery's story of Anne Shirley, an orphan who is accidentally sent to a couple looking to adopt a boy instead.

Caravan of Death

1920

Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.

Flame of the Argentine

1926

Doña Aguila, owner of a vast ranch and a valuable emerald mine in the Argentine, longs for her lost daughter, Conchita, and is victimized by her manager, Emilio Tovar, who is secretly stealing gems. Tovar goes to New Orleans to dispose of some emeralds, and persuading cabaret pianist Inez Remírez to impersonate the dead daughter, he schemes to divide her inheritance. Dan Prescott, a stranger, forces himself into their confidence and accompanies the couple on their return voyage. Doña Aguila's kindness causes Inez to repent and to refuse to carry out the plan; Tovar and his men attack the rancho to acquire an emerald necklace, and Inez rides for aid. Prescott, revealing himself to be an insurance agent, wins the heart of Inez, and Doña Aguila adopts her as her legal daughter.

On the Stroke of Three

1924

Lafayette Jordan (Davis), financier, plans to inundate Caribou Canyon and turn it into a reservoir, but the villagers will not sell him their land. Among the resentful villagers is Judson Forrest (Harlan), who wants to be an inventor. Mary Jordan (Bellamy), daughter of the financier, is hurt and spends a night at his home. Learning of his attitude toward her father, she poses as a domestic at the Jordan home. Later, in New York, Judson looks her up. He is trying to sell his invention and, to get funds, he mortgages his home. The village banker, in league with Jordan, sells the financier the mortgage, and a foreclosure threatens when Jordan's business agent Henry Mogridge (Miljan) double-crosses Judson. The youth thinks Mary working against him. Friends come to Judson's aid and he pays off the mortgage in the nick of time. He learns that Jordan knew nothing of the methods employed by his agent and that Mary loves him.

Vultures and Doves

1912

"Thirty per cent dividend! Is your money supporting you? If not, call and see us. Rising Sun Copper Company." This is the bait that the vultures throw out to catch the "doves," widows and orphans.

The Damned Don't Cry

1950

Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.