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Directed by Al Razutis

he claustrophobia of media "reality" - compartmentalized into game shows, movies, news reports, commercials - is presented as continuous interchangeable spectacle. This film looks at the ideology of misrepresentation, the turning of facts into icons, history into myth. It analyzes the media's metalanguage, especially the image of woman as spectacle and commodity; and the psychology and economics of male voyeurism.