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Georgia Oakley (born 1988) is an English filmmaker and screenwriter. Born in Basingstoke and raised in Oxfordshire, she attended Heathfield School and studied English Literature at Newcastle University before embarking on a creative path that led her to directing branded content in-house at Channel 4. Alongside that work, she began making short films, gaining recognition on the international festival circuit with titles such as Frayed, Callow & Sons, Little Bird, We Did Not Fall from the Sky, and Bored, which have screened at events including SXSW, Tribeca, the New York Film Festival, the Galway Film Fleadh, and Berlin’s Short Film Festival. Her 2017 short film Little Bird premiered at Tribeca and was later adapted into a television series; it earned nominations at Tribeca, St. Louis, and other international festivals. Oakley’s debut feature film Blue Jean premiered at the 2022 Venice International Film Festival, where it won the Giornate degli Autori Audience Award—also known as the People’s Choice Award—during Venice Days. The film also screened at the 2022 BFI London Film Festival and opened theatrically in the UK on February 10, 2023. Blue Jean received considerable critical praise and a series of awards and nominations. At the 2022 British Independent Film Awards (BIFA), it earned thirteen nominations, including Best British Independent Film, Best Director, Best Screenplay, the Douglas Hickox Award for debut director, and Best Debut Screenwriter, of which Georgia Oakley was the winner. Following that success, she was nominated at the 2023 BAFTA Film Awards for Outstanding Debut by a British Writer, Director or Producer, an honour shared with producer Hélène Sifre. Additional nominations for Blue Jean included nods from the Gotham Awards, Florida Film Critics Circle, Jerusalem Film Festival, London Critics’ Circle Film Awards, Miami and Dallas film festivals, the International Cinephile Society, Zurich Film Festival, and Cleveland International Film Festival. Before her feature debut, Oakley was selected for mentoring programs including the BFI Flare × BAFTA Breakthrough initiative and Berlinale Talents, reflecting her growing recognition as an emerging voice in British cinema. In interviews, she has spoken about being cast as a street extra at seventeen, which inspired her to pursue filmmaking. She directed theatre during university to gain experience working with actors, then transitioned to documentaries, shorts, commercials and branded content before making Blue Jean—a deeply felt portrait of a lesbian PE teacher in Thatcher‑era England, navigating the stigmatisation wrought by Section 28.