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Élodie Lélu (March 21, 1982 – August 13, 2024) was a French Belgian filmmaker and writer known for her innovative work in both fiction and documentary films. Celebrated for her ability to blend drama and comedy, her work often explored themes of feminism, family, and the intersection of personal and societal struggles. Throughout her career, she garnered international recognition and several accolades, including awards for several of her films. Born in Rennes, Ille-et-Vilaine, France, Lélu pursued studies in Art History in Paris before enrolling at INSAS in Belgium, where she settled. She began her career directing documentaries such as Vénus Khoury-Ghata, poète franco-libanaise: Une poésie française aux saveurs de l'Orient (2005). Transitioning to fiction, she received widespread acclaim for her debut short film, Leçons de conduite (2012), which addressed abortion with humor and levity, earning multiple international awards. Her first feature film, Colocs de choc (developed under earlier titles such as Mamie Alzhie and C’est de famille!), combined humor and emotional depth to tackle Alzheimer’s disease while revisiting feminist themes. Lélu's work frequently explored the complexities of family dynamics, as exemplified in Retro Therapy (2024), her critically acclaimed feature that depicted a teenager’s relationship with her ailing grandmother. Beyond her fiction projects, Lélu created poignant documentaries such as Lettre à Théo (2012), a tribute to her collaborator, Greek filmmaker Theo Angelopoulos, and La Vie Rêvée des Embryons (2021), which delved into the challenges of parenthood and assisted reproduction. Her final documentary, Le Rêve des cigognes (2024), continued to explore these intimate themes.